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Nigerian music also uses ostinato rhythms, in which a rhythmic pattern is repeated despite changes in metre. The modal theory stems from a work by George Russell. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis 's emergence in the 1970s that Dizzy's style was successfully recreated [...] Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time."
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With the use of modes, functional harmony no longer dictates musical progress (just as it does not in 16th-century counterpoint), and the use of one or two modes in a piece, rather, define the material from which the musician improvises. "Milestones," for example, is divided into two sections: the first of which is based on the Dorian mode on G; the second on the Aeolian mode on A (see Figure 2 below): "What was first regarded [by jazz critics] as a total weakness in harmony, was in reality aiming at a new concept of improvisatory creation" (Jost 18) 44 Original Ragtime Hits (WFS download epub 44 Original Ragtime Hits (WFS 145)
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